She only thinks of her immediate gratification much like the female in the “A Woman Needs She doesn't seem to think about how Jose would feel about her loneliness being acted upon.
She meets the man in the song and says, “Come a little but closer, you're my kind of man / so big and so strong / come a little bit closer, I’m all alone / and the night is so long”. While Jose was gone, the woman in the song was lonely and goes to a cafe. Poor Jose gets cheated on by his girlfriend with a man she just me. This song tells the story of Jose and his lady. It has a fast paced tune and catchy lyrics. For example, in the lyrics Ray Parker Jr says, “Give her the love, mmm, yeah / that sweet, sweet love, she wants it just like you / cause …show more content… It was released in 1964. The male paramour in the song woos the woman into cheating on her man. This song tells the story of a woman who cheats on her boyfriend and gets caught. As mentioned previously, love is a common notion in 1980’s soul music. This song meets none of these desired requirements. I prefer music that is fast paced and has catchy lyrics. This type of sound does not appeal to me. Soul music borrows heavily from rhythm and blues and jazz. A genre that I do not care for is soul music and the song that falls in this genre is “A Woman Needs Love”. Both of these songs share a common idea of women cheating. Two such examples are “Come a Little Bit Closer” by Jay and the Americans and “A Woman Needs Love” by Ray Parker Jr. A few decades ago, the messages were comparable, and even though society was quite different then, the themes in music were relatively the same. In modern music the message or theme usually relates to love or substance abuse. They come in all different varieties, genres and styles but often the message conveyed is similar.
You have to do exactly what Hanna does for Emily in these quiet moments.Show More Songs are poems set to music. You have to be supportive but relaxed, open-minded but not too eager. You have to simultaneously express solidarity with your LGBTQ+ friends without making them feel awkward or uncomfortable. It's a tricky period for even the most bighearted ally to navigate. They encapsulate a very specific (and hardly mentioned) period of coming out: when your friends slyly voice their support even though you haven't mentioned your sexuality. The girls are eating Chinese food and talking about who they're taking to the homecoming dance Spencer and Aria bug Emily about potential boys, but Hanna simply says Emily should "bring someone has fun with." She gives Emily a glance suggesting that person could be a girl (specifically Maya in this context), and Emily says nothing-again.īoth of these scenes are well-crafted dances and testaments to Ashley Benson (Hanna) and Shay Mitchell (Emily). Hanna and Emily have another scene like this in the next episode. She just gives her a soft half-smile-the kind of look that tells Hanna she understands exactly what she means but isn't ready to say anything. It doesn't matter who sent Emily that CD-whether it's Toby or Maya or whoever. But her warm (yet purposefully vague) comment sends an important message to Emily: She isn't going to judge her for anything. But, Em, if there's someone in your life who caresĪbout you, then I'm happy for you-no matter who they are.Īt this point, Hanna doesn't know Emily is gay.
HANNA: Is it from somebody you like back? Sorry, you don't have to HANNA: Well, whoever made it must like you a lot.ĮMILY: No, we were just talking about this band we both like.